I airbrushed Citadel Seraphim Sepia to blend everything together. This process of adding thin ivory lines followed by a coat of sepia can be repeated to give the gun more depth.

For the metal parts, I painted with Citadel Leadbelcher. Light washes of Nuln Oil and Agrax Earthshade followed. Finally, highlights of bright silver gave the metal parts sheen.

Here is the finished rifle on the finished bust. See the full painting process in the September 2019 issue of FSM here.

To increase the amount of detail, I went in with a paintbrush and added finer lines of ivory.


After the rifle was primed black and base-coated with charred brown, I airbrushed the wood grain using ivory and a paper mask.

This didn’t look too bad, but it wasn’t as detailed as I hoped.


